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The library features two classifications of instrument engines: Designers and Performers. Each engine in the library provides different features that allow you to manipulate and customize the samples or loops to your liking. Furthermore, macros let you control multiple parameters with the turn of a knob or your modulation wheel.

This feature makes it a breeze to perform with the library. Key Features:. This library is available for Kontakt 6. Kontakt requires Windows 7 or higher and macOS The more you attempt to explore this library, the more you realize how vast the sonic possibilities are.

I would describe this library as a comprehensive sound module for trailer or film music. Related Reading:. Captivating Japanese strings are renowned for their agility and dramatic tones, and this library seeks to capture that quality.

However, the Japanese string ensemble differs from the Western ensemble. The developers worked with Koichiro Muroyo , the conductor behind the sound, to build the Tokyo Scoring Strings. This library provides all the nuances of an authentic string ensemble featured in many globally favored soundtracks from Japanese media.

Similarly, Mitsunori Aizawa , the recordist and mixing engineer, is also responsible for the sound in many of these famed scores. So, with these skilled professionals and the sound of Sound City studio, Impact Soundworks has produced a sampled instrument library unlike anything else. With over 84 GB of sample content , Tokyo Scoring Strings is a genuinely comprehensive string ensemble that accurately captures the Japanese standard.

You can control almost everything related to the performance on the front page , making the library effortless to use. Overall, I highly recommend this library to anyone who already has a standard orchestral collection and is now looking to expand their sound palette.

Sequis presents acoustic instrument samples with the unique potential of modern sequencing and processing. Orchestral Tools has been producing sampled instruments for composition and orchestration for many years. They have now combined their expertise with the brilliant minds at Native Instruments to reimagine the way musicians play acoustic instruments.

And you can use a pattern sequencer to play each. The instrument selector loads a menu that divides the samples into Instruments and Articulations. Similarly, each instrument features multiple articulations. These help you add peculiarity to your rhythm. What sets Sequis apart from similar products is that it stays true to the acoustic category.

Most sequencing libraries tend to preset hybrid sounds to add a creative taste. However, Sequis only features acoustic sounds. So, it might sound somewhat different from what you might expect, although the results are undoubtedly beautiful. Dive into the world of the aggressive and driving side of film and trailer scoring with the second iteration of Elysion by Sonuscore.

Elysion II comes with the entire sound palette of the original Elysion instrument with both the GUIs available , which was a collection of ambient synth samples or highly treated acoustic instruments. Now , Elysion II adds raw and massive-sounding samples alongside a brand-new user interface and a sequencing ensemble engine from The Orchestra library. The electronic sounds are best suited for sci-fi and action films, games, and trailers. Although, I love using such sounds combined with acoustic instruments to add impact and space to my scores.

The first Elysion was a cinematic soundscape engine dedicated to ambient sounds. So, the contrasting aggressiveness of the second version is a welcome change. The samples contain up to three round robins and five velocity layers. Furthermore, the upgraded engine and user interface make the upgrade worth it even for the fans of the previous version. I highly recommend this instrument if you often make sci-fi or action music and are a fan of electronic sounds.

Similarly, the soundscapes and rhythmic themes also come in handy for producing pop and dance music. From animated textures to enveloping soundscapes, this granular engine does it all. Ashlight is a texture engine for producing intricate atmospheres, pads, soundscapes, effects, and even leads. The sounds range from cinematic soundscapes to dark and moody bass and atmospheres. It features a built-in sample library and a granular synthesizer to generate sounds. And the user interface features five pages that let you perform, edit, and customize the sounds.

And it uses a sample alongside a granulated sample to generate its ambient textures. There are grain-source samples and a hundred sample sets. Furthermore, it comes with a factory preset library with over snapshots. If you often find yourself looking for dark and moody soundscapes, drones, subs, pulsing sounds, etc. However, for a library dedicated to a small niche , the price may seem steep for some. Native Instruments and Galaxy Instruments have come up with Piano Colors, a library of prepared piano sounds with unconventional playing and recording techniques.

On top of having a strange and exciting sample library, the library features various sound modules on its user interface that help you bring vibrant colors to your sonic palette. These modules include multiple layers of sounds, an arpeggiator, effect processors, and more. Furthermore, the user interface features colorful light columns behind the piano.

These light columns represent the sound layers, and their width represents the volume of each layer. Piano Colors is a genuinely unique sample library. It features a prepared piano with many kinds of treatments, mallets, bows, etc. And it can sound anything from soft and soothing to harrowing and piercing. Overall, for what it does and the quality of the sounds, I have no complaint about this library. Scorpio is a synth library featuring sounds ranging from delicate bell-like tones and daunting basslines.

Scorpio combines synths with traditional instruments using granular synthesis to attain its powerful library of sounds ideal for modern scoring, dance music, electronica, New Age, etc. It features a comprehensive browser that lets you effortlessly find the sound you need. Furthermore, you can customize the sounds easily in real-time using the XY-pad and macros on the main page of the user interface. Of course, you can also dive into the instrument by exploring its various pages and options to get a deeper level of control.

Scorpio offers a range of inspiring sounds out of the box with a distinct style and character. The sounds vary from clean acoustic patches to aggressive synth samples ideal for EDM and trailers. Although the sounds are never really mellow — this instrument is best suited for vigorous styles of music.

Furthermore, if you are into sound designing, the ample number of source samples is sure to delight you. And the library is straightforward to use, but it can also go in-depth in detail when you need it. Damage 2 is one of the most extensive libraries of epic cinematic percussions. The second Heavyocity library on the list is Damage 2, an aggressive hybrid percussion collection with loops and presets spread over three designer engines. Many of the sounds feature multiple mic positions, including close, room, hall, LFE, and analog Crush.

On top of having a massive sound library, Damage 2 also utilizes its designer engines to produce realistic performances. You can use it for creating rolls, flairs, and even rhythms. A single instance of Damage 2 with proper customization of the engines can act as a full-on percussive backing with a humanized feel.

I also like recording its performance into another track as MIDI data and editing the performance there. The presets fully utilize the engine to present creative and inspiring sounds right out of the box. You can use these for adding flourishes to your cinematic score or pop music. Similarly, the extensive set of effects and mixing controls ensure that you can create mix-ready sounds without using your DAW. As the name suggests, Epic Percussion 3 provides a collection of aggressive and driving percussions perfect for trailers and film scores.

There are seventeen single-drum patches and three kits in this library. Besides the sounds, the library features a straightforward library that makes sound designing intuitive. This library is available for Kontakt 5. The s ound quality is decent , and it also features inspiring loops.

Overall, it feels like an excellent value for its price. Pharlight is an innovative pad sound generator from the makers of Kontakt and is frequently utilized by cinematic composers. Pharlight has a granular engine built from the ground up and a variety of audio sources. The granulated sounds are routed via several effect processors and modulators to produce dynamic and immersive soundscapes. It also has a sample layer that you can use to add background noises, envelope attacks, tonal centering for atonal soundscapes , and pads to the mix.

Most of the sound sources in this library are vocal sounds choreographed to perform well with granular synths. These include invented phrases, noise samples, beatboxing, and choirs. The main focus is on ensuring that the sources have spectral variations. It provides a variety of sounds for the granular synth to utilize. Pharlight is best suited for creating atmospheric sounds like pads, textures, sound effects, and sometimes even leads.

It uses granular synthesis alongside sample playback to generate its sound. Furthermore, most of the presets utilize the XY modulator so that you can perform live playing them. Still, the voices help add a somewhat organic vibe to the synth-like sound of the library. And I also like how it allows you to use custom samples. Native Instruments and Galaxy Instruments have crafted something genuinely unique and incredible with Mysteria.

It has you covered whether you want to evoke a sense of terror, wonder, dread, or ethereal beauty. Depending on the needs, the clusters include recordings of elegant harmonies or chaotic discord. Thanks to its unique and inviting interface design , you can start with calm and beautiful sounds while smoothly transitioning into the unsettling chaos of dissonant voices.

Furthermore, quick automation results in stark changes that act like impact percussions. If you often compose film scores or enjoy making cinematic music, Mysteria is a truly useful instrument. It evokes emotions harnessing the human voice and hybrid synths as sound sources. There are over sound sources, layer-presets, and presets.

Most of the presets and samples are best suited for horror, fantasy, drama, and mystery themes. With Substance, gone are the days of layering multiple samples and synths to achieve your perfect low-end rumble. Substance is a complete bass sound designing instrument featuring built-in samples of real-life acoustic instruments and dirty analog synth sounds. On the main page of the user interface, you will find a peculiar layout of three instrument layers , their controls, and macro faders that let you customize the sound quickly.

Moving out a step will lead you to the volume of each of the layers. Next, you can select various sound sources by clicking on the source name. Substance is a handy tool if you often make music with bass at the forefront like trap, hip-hop, and even house.

Similarly, it features interesting acoustic basses, including low brass sections, contrabass pizzicato, bass guitars, etc. Furthermore, there are plenty of controls for customizing the presets. However, the built-in sounds are perfectly adequate in most cases. Hence, I recommend you give it a try. Electric Vintage faithfully reproduces the sound of the Fender Telecaster , one of the most popular electric guitars of the late s.

Multisampling, intelligent sample switching, and more, mean playable sampled instruments are often indistinguishable from the real thing, right down to subtle playing techniques. Some of these payment methods might not be supported in your country. Learn more. Each places powerful, creative processing chains into a simple, intuitive interface. These hybrid instruments combine wavetable synthesis with creatively sampled content, allowing dynamic live blending and sound sculpting.

These controls are mapped to numerous shared parameters behind the scenes, so you can change a sound dramatically with a single twist of a macro knob.

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