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Each phrase may be repeated an unspecified number of times by each musician in the ensemble, and each musician has control over which phrase they play. Players are encouraged to play the phrases starting at different times.
This is, in theory, a practice in chaos, but when executed correctly, it becomes a wonderful, sprawling, ever-evolving body of work. So why is it in this list of the best songs of the 60s? The music for Peanuts was composed and recorded by Vince Guaraldi, a Bay Area-based jazz pianist, and his ensembles.
After a stint in the Army as a cook during the Korean War, Guaraldi returned to the Bay Area where he began playing in groups heavily influenced by Latin styles like bossa nova. He quickly gained fame in New York throughout the s for his playing, leading to regular gigs across the city with Latin musicians but also some jazz greats like Charlie Parker , Dizzy Gillespie, and more. The title of this classic 60s Latin song refers to the large Watusi tribesmen of Rwanda , who feature prominently in the nonsensical lyrics.
Remarkably, every single version listed above charted either in the United States or overseas. Her voice runs just a bit ahead of the backing choir, producing the image of a sprinter creating distance from the rest of the pack. Hers is one of the iconic sets of pipes in soul music history, powerful yet mightily precise. According to legend, Norman finished writing the words just moments before Thomas entered the studio.
That melody is mostly propelled in the early going by Joe Zawinul. The Wurlitzer he used on the track was once owned by none other than Ray Charles. The song became a crossover hit when The Buckinghams recorded it in , though the original, with the audience spurred on by an open bar, conjures a special type of magic.
The narrative is only half the story, though. Watch this video on YouTube Click to load video Van Morrison — Brown Eyed Girl Van Morrison entered into a two-day recording session in , during which he recorded eight songs, making up four singles. But we wanted to highlight just how amazing Ray Davies has been since his earliest days as a songwriter.
The song was inspired by college lust, a particular night in which Davies was performing and saw a girl in the crowd that tickled his fancy. When his set finished and he went to find her, she had disappeared. This is a claim that Page has always denied.
Gentry sits in on a family reacting to a local boy jumping off a bridge to his death. The group was booked for a run at Bohemian Caverns, the same venue where they recorded a live album a year prior. The setlist they were shaping up was set to inform the follow-up live album. Lewis worked out a rendition with his band, and they ended their set at the Caverns with it that very night. Everyone at the club would pile onto the dancefloor, giving the jukebox hit far more attention than the band ever received.
The new instrument was, to say the least, a finicky beast. Bataan brought his reality to tape, weaving brilliant tales of life in his working-class neighborhood from the perspective of a passionate participant. An original acoustic version was included on their album, Wednesday Morning, 3 A. But in , the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. Two years later, and it became the soundtrack to one of the most important films of the s, The Graduate.
Sure, it was one of the first popular songs to glamourize slinging drugs, but it was also one of the most forward-thinking, cool rock songs of the 60s. And, crucially, stands up just fine on its own as a classic piece of rock songwriting. Drummer Levon Helm handles the vocals, while Rick Danko is on the bass and takes a crack at the fourth verse.
Every member of the group could sing, but while The Beach Boys laced their vocal parts in technicolor candy, The Band liked to rough up their performances with a little bit of dirt and tobacco. English lyrics were written later by Norman Gimbel. The song and album marked a groundbreaking collaboration between the American saxophonist Getz and the Brazilian icon Gilberto.
The song was a hit throughout the world, taking home a Grammy for Record of the Year. Shortly after the song became a hit, though, Cline was seriously injured in an automobile accident, forcing her to spend a month in the hospital. Who knows what happened in that hospital, but Cline emerged a megastar. The song was originally penned by Willie Nelson , and her husband, Charlie Dick, implored her to record it.
Cline refused. When she arrived at the studio, Dick convinced her to try her hand at it, and the result is self-explanatory. Patsy Cline was a female country star before people were used to the concept, carving a lane for herself and influencing a generation of future women ready to croon. Gainsbourg was dating Bardot and she asked him to write the most romantic song he could.
He came up with two. He acquiesced but revisited the song a year later when he began dating Birkin. Celia Cruz will make you dance, but her songs also force you to confront the political realities of the 60s in Cuba. Whereas Kubrick is sterile and exacting, Bowie is free-wheeling and ecstatic. The drums perform a rough variation of a military march, while Bowie counts us down and implores us to take our protein pills. Turn away from each other, take three steps forward, turn around, draw.
Few soundtrack moments in film history match its sheer emotional force. Cash recorded the song as his dream intended, and the result is a country-western song decades ahead of its time. It blends traditional country structure with a blurring of genres, making it an all-time crossover hit amongst country fans and Latin music devotees alike. Loretta changed all of that, swaggering onto the scene with a mean left hook and the sweetest voice you ever heard.
But then comes an extended chorus, accompanied by whistles, backing vocals, and a bevy of percussion, and all of a sudden, Gil treats his instrument like it wronged him in a past life. All this to say, Gil is a master of manipulation, able to use volume and crescendos to emphasize emotion and the movement of his songs. But the drama surrounding the song is less interesting than the style it helped usher in, which blended the psych-rock of bands like The Beatles with the experimentation happening in the jazz world.
It was there that Makeba took her inspiration for the track, which she originally recorded with her band The Skylarks. After making a name for herself in the States, she re-recorded the song in with Jerry Ragovoy, and it quickly became a hit. To be young and in love is the best feeling on Earth. To be young and heartbroken feels like a tragedy never before replicated in the history of this planet. Sure, the song was a lightning rod upon its release in the late 60s as the American feminism movement was making headway in the mainstream in the following decade, but Wynette always insisted that the song was less about subservience than overlooking the flaws in the ones you love.
The song was supposedly written in 15 minutes by Wynette and her producer, Billy Sherrill, and the singer initially expressed hesitancy because it was a clear black sheep in her discography up to that point — and included a note she had trouble reaching. Sometimes a nice walk in the park can spur your greatest idea.
He was eating some popcorn, minding his own business, when a couple started arguing about how much money was exchanging hands. Dekker landed on the sentiment of working all day for not enough pay, and by the time he got home from his sojourn, the song was complete. It remains one of the most successful reggae songs of all-time, infiltrating the Billboard charts and bringing rocksteady vibes to an unfamiliar audience in Glen Campbell liked to sing about places.
Webb delivered a completed version of the song to Capitol Records, but his version was crucially missing a middle section. Campbell came up with the idea to fill this empty space with an all-time guitar solo. Hard to top, right? He was originally inspired to write the song because of the Sunset Strip curfew riots in November that pit forceful cops against young adults rebelling against the status quo sound familiar?
The song, which featured Neil Young on guitar, is as catchy as it is powerful. Oh, how wrong O Estado de S. Paulo was! The album, whose title translates to New Style Samba , is clear in its aspirations. Ben brought a new perspective to the genre, a style that would influence a new generation of samba and South American players.
Shortly after, organist Ray Manzarek added the Bach-influenced introductory organ motif, because…why not? Densmore circled back to suggest that it should open with a single snare drum hit. They acted as a blender, taking ingredients from across the rock, jazz, and blues scenes, and turning it into something otherworldly and impossible to replicate. There are two types of people in this world: People that know Booker T. The track is one of the most recognizable in American music history, a simple blues line that somehow never gets old.
The players take turns vamping over the rhythm. The infectious melody that moves the song forward was written by Booker T. The track bursts with energy, a truly revelatory sound upon its release in She infused the pain and triumph of the blues into the song, a skill she honed in the image of early blues stars like Bessie Smith.
It arrived via Motown on October 7, , and became the first No. It marked a new era, as it signaled the arrival of Michael Jackson , who single-handedly altered the course of music, first with his siblings and later as the most successful solo artist in pop history. The song, though, almost never made its way to The Jackson 5. John and Michelle Phillips were sitting in their New York City apartment, huddling together for warmth, doing whatever possible to avoid the piercing cold seeping in from the city streets.
Recorded in , Gaudio and Valli were relying on CKLW, which served the metro Detroit area, to enter the song into its rotation, practically guaranteeing some level of success. But Paul Drew, program director at the station, initially passed on the tune. Pabon sang the vocals for the song, while the instrumentals were performed by Pete Rodriguez Orchestra.
The song, perhaps as famous for its pioneering blend of English lyrics, call-and-response vocals, samba rhythms, and Cuban melodies, mashed together a number of styles into an undeniably catchy hodgepodge. Either way, the song helped define the 60s rocksteady scene in Jamaica, and is widely seen as a precursor for the highly influential dub style of reggae, which would go on to play a heavy role in the maturation of American electronic music in the s and s.
In The Name Of Love. Sinatra has Paul Anka to thank for this indelible 60s song. It was Anka who heard the original French version while on vacation in the South of France, and immediately flew to Paris to negotiate the rights to the composition. From there, Sinatra flexed his muscles, moving from quiet observations to top-of-his-lungs belting. They left the property after Cooke put up a fight, blaring their car horn and shouting expletives on their way out.
By the time they reached another motel, the police had arrived, and arrested Cooke for disturbing the peace. The decision would, in his mind, cost him much of his white audience, but Cooke decided to write his richly atmospheric, string-laden classic, determined to speak his mind and demand change. But about thirty seconds in, something changes, and her voice lights up like a neon billboard.
Her vocal recording was a particularly grueling exercise, and Turner recounted that she was sweating so profusely that she ended up recording in her bra. Is it Forrest Gump? Suicide Squad? Logan Lucky? Released in and directly inspired by Alice In Wonderland , Slick wrote the lyrics in an attempt to chastise parents who read their kids novels like Alice and then grew puzzled when those kids started taking drugs.
Neil Diamond needs to get his story straight. Later on, Diamond asserted that the song was a tribute to his wife Marcia, but he needed a name with three syllables. The song has been adopted by the Fenway Park faithful before the Boston Red Sox head to bat in the bottom of the 8th inning. Hendrix initially recruited Traffic-legend Dave Mason to play a string guitar, but after bassist Noel Redding left the session in frustration, Hendrix audibled and moved Mason to the bass.
Gladys Knights and the Pips made it a hit, so Berry Gordy passed on putting it out as a stand-alone tune. The song it replaced for that title? The group was a clear indication that bands like The Beatles were popular everywhere, and that new groups could interpolate these styles into staggering new ideas.
Here was a South American band, turning a Jorge Ben original into a freight train of a song, complete with a Hendrix-esque guitar solo and vocals that at times resemble a barbershop quartet. Os Mutantes treated borders like the Kool-Aid man treats walls, stomping over every pre-conceived notion on the way towards an ecstatic truth about the power of music.
The song was immensely popular upon its initial release, but part of its staying power came from the way it came to represent one of the most important eras in American history. It was an incredible swan song for an artist that helped build Stax Records in the 60s. Its seemingly simple subject matter — someone watching the tide rolling in and out, reflecting on their life — is universal, allowing the listener to fill in the blanks any which way they want.
The whistling coda is similarly open-ended, sounding carefree or lonely, depending on your frame of mind. The song is less about fitting in than being allowed to not fit in. Stomp stomp clap. The drum pattern has been etched into American popular culture like Elvis or the American flag. Played by Hal Blaine, the song has been imitated by a plethora of musicians, but few achieved the tone Blaine was able to create with his snare drum.
The Ronettes, led by Ronnie Spector, brought the idea to life, infusing it with the innocence and passion of young love. The iconic 60s song was originally penned for the Miracles, with Smokey Robinson planning on recruiting Ruffin to sing the vocals. But the members of The Temptations convinced Robinson to let them have it, a wound that healed rather quickly considering the career Smokey would go on to have.
Brown redefined what it meant to be cool in the 60s with this song, infiltrating mainstream rock and soul with his intoxicating brand of self-loving funk music. Hank Williams - Jambalaya  Billy Vaughn - Wheels  Willy Schobben - Mexico  Allisons, The - Are You Sure  Digno Garcia - Brigitte Bardot  Del Shannon - Runaway  Los Machucambos - Pepito  Anneke Gronloh - Brandend Zand  Frankie Laine - High Noon  Connie Francis - Paradiso  Chubby Checker - Let's Twist Again  Pat Boone - Speedy Gonzales  Tommy Roe - Sheila  Dave Brubeck - Take Five  De Spelbrekers - Katinka  Marty Robbins - Devil Woman  Beach Boys, The - Surfin' Safari  Ramblers - Zeeman, O Zeeman  Rocco Granata - Buona Notte Bambino  Willeke Alberti - Spiegelbeeld  Roy Orbison - Pretty Woman  Lucille Starr - The french song  Mills Brothers - The Glow Worm  Louis Armstrong - Hello Dolly  Julie Rogers - The Wedding  Migil Five - Mockingbird Hill  Los Indios Tabajaras - Maria Elena  Mario Lanza - Because You're Mine  Terry Stafford - Suspicion  Dave Berry - This Strange Effect  Scorpions - Hello Josephine  Nini Rosso - Il Silenzio  Petula Clark - Downtown  Byrds - Mr.
Tambourine Man  Fortunes - You've Got Your Troubles  Johnny Lion - Sophietje  Searchers - Goodbye My Love  Righteous Brothers - Unchained Melody  Ivy League - Tossing And Turning  McCoys - Hang On Sloopy  Bob Dylan - Rainy Day Woman  Rosemary Clooney - Butch-A-Me  The Troggs - Wild Thing  The Overlanders - Michelle  Ramses Shaffy - Sammy  Jim Reeves - Distant Drums  Sandpipers - Guantanamera  Bobby Hebb - Sunny  Los Bravos - Black Is Black  The Herd - From The Underworld  Armand - Ben Ik Te Min  Engelbert Humperdinck - Release Me  Van Morrison - Brown Eyed Girl  Kinks - Waterloo Sunset  Scott McKenzie - San Fransisco  Tremeloes - Silence Is Golden  Manfred Mann - Mighty Quinn  Danny Kaye - Wonderful Copenhagen  Nina Simone - Ain't Got No.
I Got Life  Barry Ryan - Eloise  The Marbles - Only One Woman  The Casuals - Jesamine  Aphrodite's Child - Rain And Tears  Jim Reeves - Bimbo  Billy Joe Royal - Hush  Marty Wilde - Abergavenny  Paul Mauriat - Love Is Blue  Robinson  Donovan - Atlantis  Zen - Hair  Blue Cheer - Summertime Blues  Cream - White Room  Grapefruit - Deep Water  David Bowie - Space Oddity  Melanie - Beautiful People  Herman van Veen - Susanne  Sir Douglas Quintet - Mendocino  Ekseption - The 5th  Frida Boccara - Cent Mille Chansons  Leroy Anderson - The Typewriter  Chordettes - Mr Sandman  Orkest Zonder Naam - Lentekind  Four Aces - Amor  Crew Cuts - Sh-Boom  Platters - The Great Pretender  Tony Bennett - Stranger In Paradise  Chuck Berry - Maybellene  Bo Diddley - Bo Diddley  Platters - Only You  Little Richard - Rip It Up  Guy Mitchell - Singing The Blues  Freddy Quinn - Heimweh  Little Richard - Tutti Frutti  Carl Perkins - Blue Suede Shoes  Debbie Reynolds - Tammy  Buddy Holly - Peggy Sue  Brenda Lee - Dynamite  Harry Belafonte - Banana Boat  Paul Anka - Diana  Maria Dolores - Los Paraguayos  Herman Emmink - Tulpen Uit Amsterdam  Dorus - Twee Motten  Corry Brokken - Messenwerper  De Selvera's - De Postkoets  Boone, Pat - Bernadine  Ritchie Valens - Donna  Champs - Tequila  Chuck Berry - Sweet Little Sixteen  Domenico Modugno - Volare  Kalin Twins - When  Coasters - Yakety Yak  Bobby Darin - Splish Splash  Butterflies - Willem, Wordt Wakker  Don Gibson - Oh Lonesome Me  Zangeres Zonder Naam - Ach Vaderlief  Teddy Scholten - 'N Beetje  Fouryo's - Zeg Niet Nee  Sarah Vaughan - Broken Hearted Melody  Lloyd Price - Personality  Big Bopper - Chantilly Lace  Rocco Granata - Marina  Neil Sedaka - Oh!
Carol  Blue Diamonds - Ramona  Corry Brokken - Milord . Byrds, The - Turn! To Everything There Is a Season  2. Jefferson Airplane - Somebody to Love  3. Cowsills, The - Hair  5. Strawberry Alarm Clock - Incense and Peppermints  7. Edwin Starr - War  8. Thunderclap Newman - Something in the Air  9.
Zombies, The - Time of the Season  Brotherhood of Man - United We Stand  Five Man Electrical Band - Signs  Friend and Lover - Reach Out of the Darkness  Lemon Pipers, The - Green Tambourine  Don't forget to seed : Disc One - The Sixties Oh Carol Neil Sedaka Its My Party Lesley Gore Mr Tambourine Man The Byrds Mellow Yellow Donovan Everybody's Talking Nilsson Knock On Wood Amii Stewart Runaround Sue Dion Lazy Sunday Small Faces Sugar Sugar The Archies Runaway Del Shannon Happy Together The Turtles Yakety Yak The Coasters Venus Franky Avalon Diana Paul Anka Summertime Blues Eddie Cochran Monster Mash Bobby Pickett Rebel Rouser Duane Eddy Johnny B.
Good Chuck Berry Long Tall Sally Little Richard Wild Things The Troggs White Christmas Bing Crosby Moonlight Feels Right Starbuck Dead Ringer For Love Meatloaf Rock On David Essex Well All Right Santana The Ballroom Blitz Sweet Kung Fu Fighting Carl Douglas Eight Miles High Byrds You Sexy Thing Hot Chocolate Lola The Kinks Eagle Rock Daddy Cool Band Of Gold Freda Payne Fly Robin Fly Silver Connection More Than A Feeling Boston Love Train The O'Jays Rhinestone Cowboy Glen Campbell Loving You Minnie Riperton Brown Eyed Girl Van Morrison Jones Billy Paul Wuthering Heights Kate Bush Without You Nilsson Albatross Fleetwood Mac Africa Toto Stars On 45 Stars On 45 Smooth Operator Sade True Colors Cyndi Lauper Perfect Fairground Attraction Footloose Kenny Loggins All You Zombies The Hooters Turn Me Loose Loverboy The Flame Cheap Trick Key Largo Bertie Higgins Jessie's Girl Rick Springfield Broken Wings Mr Mister Never Ending Story Limahl Move Closer Phyllis Nelson Opposites Attract Paula Abdul U Can't Touch This M.
Hammer Spaceman Babylon Zoo Back For Good Take That Mouth Merril Brainbridge Saltwater Julian Lennon Children Robert Miles Moving On Up M-People Free Ultra-Nate Give It Up Cut 'n' Move Cosmic Girl Jamiroquai Tell Me Groove Theory Real Gone Kid Deacon Blue All Cried Out Allure Love U More Sunscream Excalibur F. Macarena Los Del Rio Rhythm Is A Dancer Snap Be My Lover La Bouche Another Night Real McCoy Martika's Kitchen Martika Jump Kriss Kross Rush Big Audio Dynamite Mr Vain Culture Beat Hey Mr DJ Zhane Shy Guy Diana King Anything 3T Stayin' Alive N-Trance We Built This City Starship Mickey Tony Basil Stimulation Wa Wa Nee
This four-disc set from Red Box contains 40 re-recordings of these songs by the original artists.
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